Baltimore Choral Arts Society :


Music Director Tom Hall and Baltimore Choral Arts presents the spectacular 2012-13 season with concerts for every taste!

Consider subscribing to the 3-CONCERT SERIES for the first choice of the best seats in the house, and you'll also receive subscriber discounts and other exciting benefits.

Refer to the CONCERT CALENDAR for a full listing of concerts presented by Choral Arts including our special events and family holiday concert.

Consider joining us for A RUBY CABARET in April, a fundraiser and jazz cabaret event to benefit the educational and outreach activities at Choral Arts.

A full listing of our COMMUNITY CONCERTS includes all our performances in the community, from schools to retirement centers.

CONCERTS WITH THE BSO highlight performances in which Choral Arts will appear with the Baltimore Symphony, at the Meyerhoff Symphony Hall as well as at Strathmore.

From family concerts, to holiday celebrations, and classical performances, Baltimore Choral Arts performs concerts for every musical taste!


The French Connection

Sunday, November 01, 2015
3:00 PM • Kraushaar Auditorium

Baltimore Choral Arts opens its 50th Anniversary season with The French Connection, featuring the extraordinary Requiems of Fauré and Duruflé, widely regarded as two of the most beloved choral masterpieces ever written.  Both works are mesmerizing and ethereal, with whisper-soft sections highlighted by the full blazing sound of the chorus and orchestra. 

Don’t miss the opportunity to join us for this sensational performance and exciting season opener as Music Director Tom Hall leads the full chorus and orchestra in The French Connection.

Reserved Seating.

T. Rowe Price is the Presenting Sponsor of The French Connection.


The voices rang out with resplendent confidence, and the sopranos had no apparent difficulty reaching the cruel and challenging high B's in the piece. The chorus's performance was the best part of the concert….the thunderous power of this unique masterpiece never fails to stir the blood, and the ovation was loud, long and well deserved.

— On Beethoven's Ninth with the Baltimore Symphony 2012
The Washington Post

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