Baltimore Choral Arts Society : http://www.baltimorechoralarts.org

Welcome to Baltimore Choral Arts

 

JOIN US FOR TOM HALL'S GRAND FINALE AS MUSIC DIRECTOR

Be inspired as you hear the power and passion of Baltimore Choral Arts, under the artistic leadership of Tom Hall in his final and most memorable season.

Our 2016-17 subscription season will conclude Saturday, March 11, with Tom Hall's Farewell Concert, featuring Haydn’s Lord Nelson Mass, Copland's Walls of Zion, Lauridsen's Sure on this Shining Night, and  other works meaningful to Tom and the chorus.

This year's Ruby Cabaret, Choral Arts' annual fundraiser to benefit our education and outreach programs, will take place on Friday, April 7. Don't miss this sophisticated evening of song in the ambiance of a sizzling New York nightclub. Our featured artists Will & Anthony will dazzle you with their unique Broadway style and timeless hits from the American Songbook. And Music Director Tom Hall and members of the Chorus, silent and live auctions, fine dining, and an open bar make this an exciting New York-style night of great entertainment.

CHORAL ARTS ANNOUNCES ANTHONY BLAKE CLARK AS ITS NEXT MUSIC DIRECTOR

We are proud to announce that Anthony Blake Clark has been named the next Music Director of Baltimore Choral Arts Society. A conductor and composer, Blake Clark has led choral and orchestral ensembles in the United States and Europe and his works have been widely performed. He officially joins Choral Arts on July 1st and will become Baltimore Choral Arts’ third Music Director in its 51-year history.

Read more about Music Director Designate Anthony Blake Clark, here.

  

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The voices rang out with resplendent confidence, and the sopranos had no apparent difficulty reaching the cruel and challenging high B's in the piece. The chorus's performance was the best part of the concert….the thunderous power of this unique masterpiece never fails to stir the blood, and the ovation was loud, long and well deserved.

— On Beethoven's Ninth with the Baltimore Symphony 2012
The Washington Post

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